Epimystic

The Hand

The atelier

The figures this codex draws in light — the Seed of Life, the seal, the spiral — were drawn first by hand, in paint. Here is the work of the one hand that keeps it: 38 pieces, in acrylic and pigment, the same geometry made physical.

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The Sea Before Words

One painting, whole and close

The hand’s largest work — three feet by two — after the Rig Veda’s hymn of creation: the deep that was before existence, where darkness lay hidden in darkness and the waters were, before the first word. Seen here whole, then walked close.

A large abstract fluid-pour painting: rivers of violet, electric blue, and chartreuse green threading through a dark ground, with a band of gold near the top.
Sea Before Words The deep before creation — water, and the dark moving upon it.
Detail of the painting: a horizontal band of gold and lavender dripping across a dark field, above a marbled blue-and-green sea.
The Gilded Shore Gold breaks across the water — the first edge of a world.
Detail of the painting: a vertical cataract of chartreuse green and blue pouring through violet, breaking into cells at its base.
The Cataract Green pouring down, the way the first waters fell.
Detail of the painting: marbled currents of lilac, cobalt blue, and green meeting a deep wine-red field.
The Churning Mid-sea — lilac and cobalt, turning.
Detail of the painting: dense cellular marbling of blue, violet, and green over a near-black ground.
The Deep The unlit floor, where the dark is hidden by the dark.

Sacred Geometry

The drawn glyphs, in pigment

The figures this codex draws in light — the Seed of Life, the mandala, the wheel — set down first by hand, in paint.

A black Seed-of-Life geometry of seven overlapping circles over a red and gold cosmic spatter on dark blue.
Seed of Life Seven circles — the figure the codex keeps drawing — on a burning ground.
Hand-drawn alchemical line-work — an eye within nested triangles, a crescent and sun, arrows and dotted circles — in black and red on a pale gold panel.
The Alchemist’s Key Eye, triangle, and the descending star, in gold and oxblood.
An Aztec sun-stone mandala in oxblood, blue, and gold on cream, a central face ringed by glyph bands.
The Sun Stone A calendar wheel after the Mexica, read sunwise.
A radial floral mandala in orange, pink, teal, and gold on a deep indigo ground.
Lotus Mandala An eight-fold bloom opening on indigo.
A gold and oxblood sun-wheel mandala with a radiant black-and-red centre, ringed by a spoked border.
The Solar Wheel Spokes of a turning sun.
A radial mandala with the Aum (Om) symbol at its centre, ringed by lotus petals in pink, blue, gold, and teal on a black ground.
Aum The first sound, at the still centre of the lotus.

Celestial

Nebulae and dying stars

Poured pigment that behaves like deep space — cloud, void, and the light of stars coming apart.

A white-hot burst of poured paint radiating into blue, violet, and black like an exploding star.
Supernova A star coming undone, all in one breath.
Swirling violet, blue, and silver fluid paint with deep black voids, like a nebula.
Nebula, in Violet Cloud and void, silver folding into the dark.
Blue, lilac, and silver paint marbled over black, resembling a deep-field astronomical image.
The Deep Field Marbled dark, the way deep space photographs.
Blue, white, and purple cells of poured paint with black voids and gold corners.
Twin Eclipses Two darknesses, kept apart by light.
Green and gold cellular blooms scattered across a cobalt-blue poured ground.
Spawn on Cobalt Cells dividing in a cobalt sea.
A glowing blue orb and a teal orb on a deep red field beside a cluster of yellow dots.
A Blue World, by a Red Sun A small planet beside a cluster of suns.
A Rothko-like colour field of layered deep blues with a soft gold edge at the left and a luminous paler band toward the right.
The Blue Hour Colour laid in fields — the blue deepening toward night.

Terrestrial

Ore, verdigris, and strata

The same pour, read downward — metal, mineral, and land seen from far above.

Green and metallic-gold fluid paint resembling an aerial view of fields, rivers, and ridges.
Cartography Land read from a great height.
Cobalt water meeting orange and green land, like a river delta photographed from orbit.
Delta, from Orbit A coastline seen from very far up.
Emerald green and metallic gold marbled into stone-like veins.
Malachite Veins of green run through gold.
Green, gold, and copper poured paint with a weathered, mineral texture.
Patina Copper gone to green with age.
Swirls of copper, gold, and green resembling oxidised metal and ore.
Verdigris and Ore Metal and moss, poured together.
Cream, white, and soft gold marbling like polished alabaster.
Alabaster Pale stone, slowly poured.
Green, gold, and copper poured paint marbled into vertical, vein-like flows.
Jade Vein Green running through the gold of the rock.
Green, gold, and orange poured paint rising in a molten central plume on a pale gold ground.
Smelt Ore running molten, green into gold.
Cobalt blue threading through green, orange, and gold poured paint, like water meeting land seen from above.
Tidewater Blue water threading green and gold land.

Elemental

Fire, flux, and plumage

The unrestrained register — heat, motion, and colour let off the leash.

A solid black disc surrounded by gestural pink, blue, and green strokes on a bright yellow ground.
The Black Sun An eclipse held in a field of light.
Feather-like streaks of pink, blue, orange, and white fanning across a black ground.
Plumage A bird of paradise, dissolved into pour.
Streaming yellow, gold, and green fluid paint like solar flares.
Solar Wind Heat streaming off a yellow star.
Honey-yellow, orange, and cream marbling like flowing amber.
Amber Resin caught mid-flow.
Vertical drips of green, blue, orange, and white like rain-streaked colour.
Monsoon Green and blue running in the rain.
A swirling tangle of pink, blue, orange, and violet poured paint.
Carnival All the colours, turning at once.
A blue-and-red spiral within a circle on an ochre ground, surrounded by spattered drips.
The Vortex A spiral wound inside a ring.
Green organic forms drifting across a glowing orange and ochre field, with paint dripping from the top edge.
Slow Fire Dark green seeds, held in a slow amber burn.

Devotional

Inherited hands

Older grammars — folk and ornament, kept alive by copying them well.

A folk tree-of-life motif in white and gold leaves on a red ground with a patterned border.
Tree of Life Kalpavriksha, in vermilion and gold.
A baroque damask motif in purple, coral, and gold on an emerald ground.
Damask A sovereign pattern, mirrored and gilt.

The Seen World

Places, looked at

Where the hand turns from pattern to place — the visible world, set down as it falls on the eye.

An impressionist palette-knife painting of a sunlit Mediterranean hill-town street — blue doors, ochre houses, red bougainvillaea, and a cobbled lane.
A Southern Town Blue doors and bougainvillaea, in the noon light.

The constellation is meant to be wandered; so is the hand.

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